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| The infamous (and brilliant) Trump Baby Balloon, a British confection which debuted in London in 2018 during Donald Trump's first Presidential term. |

A MAC TONNIES MEMORIAL
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| The infamous (and brilliant) Trump Baby Balloon, a British confection which debuted in London in 2018 during Donald Trump's first Presidential term. |

(Now on Trans-D: A Country at War (Part 1a) - The Art of Slaughterhouse 5)
"Billy Pilgrim says that the Universe does not look like a lot of bright little dots to the creatures from Tralfamadore. The creatures can see where each star has been and where it is going, so that the heavens are filled with rarefied, luminous spaghetti. And Tralfamadorians don't see human beings as two-legged creatures, either. They see them as great millipedes with babies' legs at one end and old people's legs at the other." (Chapter 5)
"If what Billy Pilgrim learned from the Tralfamadorians is true, that we will all live forever, no matter how dead we may sometimes seem to be, I am not overjoyed. Still--if I am going to spend eternity visiting this moment and that, I'm grateful that so many of those moments are nice." (Chapter 10)
- Excerpts from Kurt Vonnegut's 1969 classic Slaughterhouse-Five, (or The Children’s Crusade: A Duty-Dance with Death). In the quote Vonnegut addresses his mythical realm of Tralfamadore, an exoplanet many light-years away from Earth which first appeared in Sirens of Titan and, later, in Timequake.*
It is to this planet Billy Pilgrim, the central character of Slaughterhouse 5, is taken after his abduction and where he is held as an entertaining specimen in a Tralfamadorian zoo. (Inset left is a digital image by Janmesh Shah.)
The unique thing about the novel is that Slaughterhouse 5 is not considered a science fiction tale. It is hailed as the primo 20th century anti-war novel, while, at the same time, the thinly disguised memoir of a former WW2 soldier who literally marched through a living hell but somehow survived to tell the harrowing tale.
"Kurt Vonnegut's fiction is often explicitly science fiction, yet Vonnegut recoils at the use of the term -- scared off, I suppose, by the books written by Kilgore Trout, his fictional alter-ego. So you won't find Vonnegut in the science fiction department either, even though "The Sirens of Titan" is about flying saucers, "Player Piano" is about the effects of in a near-future society, and "Cat's Cradle" is about a lab-created crystal with the capacity to plunge Earth into a permanent Ice Age. These are science fiction themes, whether Vonnegut wishes to admit it or not. And since his books are so readily available, I won't complain. At least I know where to go in the bookstore to find his books..."
- Mac Tonnies via Posthuman Blues, Sunday, March 14, 2004. Mac was a huge fan of Vonnegut. For him, Vonnegut was right up there with Kafka, Kerouac, Ballard, Bradbury, Burroughs, Gibson and P.K. Dick. His favorite Vonnegut novel was Breakfast of Champions (1973). It was one of the books he'd want on hand if he was stranded on a deserted island.
That being said, Mac's bewilderment regarding Vonnegut's attitude towards the sci-fi genre was not unique. Critics still debate this topic today in spite of Vonnegut's own essay on the topic, On Writing Science Fiction:
"Years ago I was working in Schenectady for General Electric, completely surrounded by machines and ideas for machines, so I wrote a novel about people and machines, and machines frequently got the best of it, as machines will. (It was called Player Piano, and it's coming out in hard covers again next spring.) And I learned from the reviewers that I was a science-fiction writer.
I didn't know that. I supposed that I was writing a novel about life, about things I could not avoid seeing and hearing in Schenectady, a very real town, awkwardly set in the gruesome now. I have been a sore-headed occupant of a file-drawer labeled ''science- fiction'' ever since, and I would like out, particularly since so many serious critics regularly mistake the drawer for a tall white fixture in a comfort station."
In the case of the planet Tralfamadore and Billy Pilgrim, Vonnegut was writing about alien abductions during a decade when alien abductions and UAP sightings were just beginning to trickle into the public domain via local mainstream news sources. The phenomenon emerged in the early 1950s but,75 years later, we are still none the wiser and have little understanding of the abduction experience.
As it was, via an article entitled The Laughing Time Traveller, we learn:
"...that Vonnegut invented Tralfamodore as a child when he was stargazing with his extended family on a jetty at their summer home on Lake Maxinkuckee in north-western Indiana."
Hmmm... How many ways can we translate that line? Memories are such slippery things.
Inset right is Kurt Vonnegut in 1940 when he was a lad of 18. Two years later he enlisted in the army (joining the Children's Crusade).**
Tragically, soon afterwards his mother committed suicide (on Mother's Day, no less).
Maybe a year after that Vonnegut, an American of German descent, emerged from Slaughterhouse Five as a POW in Germany to watch helplessly as the great city of Dresden and most of its people were burned in a firestorm created by Allied missiles; a sight which haunted him for the rest of his life.
What you can't tell from the photo is that he was very tall. Oddly enough, he reminds me of Mac in some way. Mac may have thought so, too.
(Continued below the jump...)
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| Our resident alien, Charlie, who has diligently overseen the creation of this post. (2026, DS.) |
Sunday, August 17, 2003
"I was on my computer waiting for a pizza to arrive when I noticed that Spook, my oldest cat, was unusually interested in the window above my air conditioner. I followed her gaze.
The bat from the previous night was hanging from the blinds! Inexplicably inside my apartment!
It immediately started flying all over the place, coming perilously close to the ceiling fan. I ran to the phone and called my apartment's emergency maintenance number and was told that a loose bat in my apartment didn't constitute an emergency. I told them it fucking well did and that they better send someone to help me trap it. (None of this was the bat's fault. I actually like bats; I just don't like sharing my living room with them.)
By this time both my cats were chasing the bat with gleeful abandon. The phone rang: the pizza guy calling from the lobby nine floors down. I grabbed my checkbook and met him at the door just as a maintenance guy and my building's new manager began conferring about the Loose Bat Situation.
The bat, probably exhausted and starving, flew into the kitchen as we walked into my apartment, and the maintenance guy was able to trap it in a towel. It made angry buzzing noises through tiny fangs as he escorted it into the hall. Fortunately, he had every intention of setting the bat free outside.
Now my cats are listless and forlorn. At first, Spook diligently kept looking for it and meowing plaintively. I think the realization that the bat is gone is finally hitting home. But it was certainly fun while it lasted."
- Mac Tonnies via this humorous Posthuman Blues post. Mac had been blogging for 8 months before mention of his feline companions entered his Posthuman narrative. I guess he was looking for some comic relief... and he found it.
Inset right above is great photograph of one of Mac's fave songwriters, Morrissey, having a magic moment with his tabby found here.
Inset right is one of the most remarkable cat paintings I could find: Suzanne Valadon's glorious Raminou (1920). Valadon was a pretty remarkable artist whose remarkable story can be read in full on this (remarkable) blog. For more Valadon cats see Katzenworld. For a Trans-D article featuring Valadon, see here.
(Continued below the break...)
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| Dead Mall in Thailand. Photo Credit: 2026, Naruto Memer. (Note: Full color photos have been modified for this post.) My apologies to the individual photographers.) |
Saturday, May 06, 2006
"I had one of my Giant Shopping Mall of the Future dreams last night. "Blade Runner" meets "Mad Max" as directed by Romero, with me as the unwitting star. (I was searching for my cats.)
Epic mounds of detritus, cannibalized machinery, meandering hordes of suburban nomads in search of an obscure fix. As always, a feeling of detachment and loss; a whole millennium dashed upon unfriendly concrete shores as the population cowers from a sky it's never seen, oddly content among the crowded memories of a derelict century.
I'm watching from the meticulously stripped-down carriage of an elevator, camera in hand, filming the spectacle floor by floor. Strangers pass like silhouettes consigned to Celluloid purgatory, just out of reach. And I descend into the hive's very guts, enamored of the darkness."
- Mac Tonnies via this Posthuman Blues post.
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| The deceased Randall Park Mall (and a dangling conversation). Photo credit: Seph Lawless. |
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| From the sketchbook of Franz Kafka, Untitled - pen & ink - circa 1901. (Note: The orientation of this drawing which seems slightly askew is the way it appears on the page of Kafka's sketchpad.) |
"Friday, December 17, 2004
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| Stained Legacy of the Church of MAGA, editorial cartoon, April 2, 2024 by primo Canadian cartoonist Graeme MacKay, found in his article: A Blasphemous Exploitation of Faith for Personal Gain. |
"Jesus was a sailor when he walked upon the water
And he spent a long time watching from his lonely wooden tower
And when he knew for certain only drowning men could see him
He said all men will be sailors then until the sea shall free them
But he himself was broken long before the sky would open
Forsaken almost human, he sank beneath your wisdom like a stone"
- (NEW!) Possibly the most poignant lyrics ever written about the Christ figure from Leonard Cohen's classic song, Suzanne (1966). We can assume Cohen was foreseeing MAGA/Evangelical "wisdom"... which currently dismisses Christ as too "woke."
"Woe to those who manipulate religion and the very name of God for their own military, economic and political gain, dragging that which is sacred into darkness and filth,” Leo told a gathering at Saint Joseph Cathedral in the western city of Bamenda.
“They turn a blind eye to the fact that billions of dollars are spent on killing and devastation, yet the resources needed for healing, education and restoration are nowhere to be found.
“The world is being ravaged by a handful of tyrants, yet it is held together by a multitude of supportive brothers and sisters.”
- Words of wisdom expressed by Catholic Pope Leo XIV during a recent trip to Africa... possibly in response to lunatic ravings posted against him on "Truth Social." Apparently, the Pope disagreed with Trump's decision to enter Israel's war with Iran. As did a majority of Americans.
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| Jesus Trump - editorial cartoon - April 14, 2026, Michael de Adder. |
(New: 5/7/2026) "When Trump was elected president of the United States, his now infamous alt-right supporters celebrated the victory in what they considered the ‘Great Meme War’. They made Trump the object of a memetic cult of personality, exalting him as their ‘God Emperor’ for which they fought."
- This quote (sourced here) illuminates our general discussion. Obviously, the Great Meme War of 2016 never really ended. And imagine how much more effective Memetic Warfare was for the alt-right in 2024 with tech-wizard Elon Musk on board.
"Memetic warfare on the part of 4chan and r/The_Donald subreddit is widely credited with assisting Donald Trump in winning the election in an event they call 'The Great Meme War'. According to Ben Schreckinger, 'a group of anonymous keyboard commandos conquered the internet for Donald Trump—and plans to deliver Europe to the far right'."
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"Memetic is frequently used to describe digital artifacts (images, videos, jokes) that go viral online, sharing common characteristics and evolving as they are shared.
In fictional contexts, "memetic hazards" are ideas or information that, when perceived, cause significant, often dangerous, mental effects (cognitohazards).
Memetic Engineering: The deliberate design and deployment of memes to alter social discourse or achieve specific goals, such as in marketing or political campaigns."
- Via Wiki, describing the meme, a unit of cultural transmission. But, then again, there are the hazardous memes. Outside of "fictional contexts," political propaganda can weaponize hazardous memes.
The highlighted text is the central theme of this post.*
* Happily, meme warfare works both ways. Tit for tat, this for that. And, there is no better way to counteract a malignant meme than the illuminating, mental stimulation of satirical humor. It's like squeezing dirty water from a household sponge. You have to do it to get the job done, so, you can finally relax. Laughter is relaxation.
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| The MAGA Messiah - editorial cartoon - 2024, Darrin Bell. "Move aside, loser." |
"Nick Adams posted the image of Donald Trump as Jesus Christ.
Since moving to the United States, Adams has become a prominent Trump backer and commentator.
Adams, born Nicholas Adamopoulos, was nominated by Trump to be America's ambassador to Malaysia.
But that nomination was later withdrawn and he was named Special Presidential Envoy for American Tourism, Exceptionalism, and Values, a role that was created for him."
- While we are not told that Nick Adams created the AI-generated Trump/Christ images trending across the WWW this past week (see article), we do know that he posted a few. Moreover, Adams is employed by the present far-right regime in "a role that was created for him." And, what a mouthful that "role" is: Special Presidential Envoy for American Tourism, Exceptionalism, and Values. Sounds like something cooked up by the Wizard of Oz. Maybe it was. But, who is the wizard?
Perhaps, there is more than one silhouette behind that curtain. We now know of another (see below). As for the others, read on...
(Continued below the jump...)
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| The Fool, the unnumbered card of the Tarot deck's Major Arcanum - AI generated - by TyliJura. Related images can be found here. |